“Memory As A Hearing Aid” by Tony Hoagland.

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“Memory As A Hearing Aid” by Tony Hoagland.

Somewhere, someone is asking a question,and I stand squinting at the classroomwith one hand cupped behind my ear,trying to figure out where that voice is coming from.
I might be already an old man,attempting to recall the nighthis hearing got misplaced,front-row-center at a battle of the bands,
where a lot of leather-clad, second-rate musicians, amped up to dinosaur proportions,test drove their equipment through our ears. Each time the drummer threw a tantrum,
the guitarist whirled and sprayed us with machine-gun riffs, as if they wished that they could knock usquite literally dead.We called that fun in 1970,
when we weren’t sure our lives were worth surviving.I’m here to tell you that they were, and many of us did, despite ourselves, though the road from there to here
is paved with dead brain cells,parents shocked to silence,and squad cars painting the whole neighborhood the quaking tint and texture of red jelly.
Friends, we should have postmarks on our foreheads to show where we have been;we should have pointed ears, or polka-dotted skin to show what we were thinking
when we hot-rodded over God’s front lawn, and Death kept blinking.But here I stand, an average-looking man staring at a room
where someone blond in braids with a beautiful belief in answers is still asking questions.
Through the silence in my dead ear, I can almost hear the future whisper to the past: it says that this is not a test and everybody passes.

May 1, 2013|Permalink

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“Memory As A Hearing Aid” by Tony Hoagland.Somewhere, someone is asking a question,and I stand squinting at the classroomwith one hand cupped behind my ear,trying to figure out where that voice is coming from.
I might be already an old man,attempting to recall the nighthis hearing got misplaced,front-row-center at a battle of the bands,
where a lot of leather-clad, second-rate musicians, amped up to dinosaur proportions,test drove their equipment through our ears. Each time the drummer threw a tantrum,
the guitarist whirled and sprayed us with machine-gun riffs, as if they wished that they could knock usquite literally dead.We called that fun in 1970,
when we weren’t sure our lives were worth surviving.I’m here to tell you that they were, and many of us did, despite ourselves, though the road from there to here
is paved with dead brain cells,parents shocked to silence,and squad cars painting the whole neighborhood the quaking tint and texture of red jelly.
Friends, we should have postmarks on our foreheads to show where we have been;we should have pointed ears, or polka-dotted skin to show what we were thinking
when we hot-rodded over God’s front lawn, and Death kept blinking.But here I stand, an average-looking man staring at a room
where someone blond in braids with a beautiful belief in answers is still asking questions.
Through the silence in my dead ear, I can almost hear the future whisper to the past: it says that this is not a test and everybody passes.